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Message: 7352

Date: Wed, 20 Aug 2003 23:04:48

Subject: Re: Cartesian product of two ET scales

From: Paul Erlich

excellent, carlos. not to mention the fact that balzano sneaks the 
2:1 ratio in as the octave, contradicting his own purported 
independence from ratios.

--- In tuning-math@xxxxxxxxxxx.xxxx Carlos <garciasuarez@y...> wrote:
> I understand and thanks for the observation. After the discussion, 
is clear 
> for me that this is a mere coincidence. For example ET31 is prime 
and has not 
> such a decomposition, yet the scale is a useful one. 
> 
> It would seem that Balazano found some aspects wich are specific of 
12Et and 
> too quickly he assumed, without a really good reason, that this had 
to be 
> generalized. This is now clear in the introductory statement to his 
article, 
> in which he seeks to generalized diatonic scales without regard to 
any 
> ratios.  What for me is a mistake, based on several aspects, 
including the 
> history of the diatonic scales.
> 
> Thanks
> 
> Carlos
> 
> 
> 
> 
> 
> 
> On Wednesday 20 August 2003 13:40, Graham Breed wrote:
> > hstraub64 wrote:
> > >Maybe one point worth to notice is that ET 12 is itself a direct
> > >product of two cyclic groups, Z3 and Z4. Applications might be 
found
> > >starting from there.
> >
> > That's what Balzano did.
> >
> >
> >
> >
> >
> > To unsubscribe from this group, send an email to:
> > tuning-math-unsubscribe@xxxxxxxxxxx.xxx
> >
> >
> >
> > Your use of Yahoo! Groups is subject to 
Yahoo! Terms of Service * [with cont.]  (Wayb.)


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Message: 7354

Date: Wed, 20 Aug 2003 12:40:17

Subject: Re: Cartesian product of two ET scales

From: Graham Breed

hstraub64 wrote:

>Maybe one point worth to notice is that ET 12 is itself a direct 
>product of two cyclic groups, Z3 and Z4. Applications might be found 
>starting from there.
>  
>
That's what Balzano did.


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Message: 7355

Date: Thu, 21 Aug 2003 20:10:32

Subject: Re: Classificiation of musical scales

From: Graham Breed

Carlos wrote:

>Motivated by a recent dicussion in the group I have tried to provide a 
>comprehensive and clear classification of musical scales. 
>
>I have collected the ideas in the attached short file. Writting all this in 
>the text of the email seemed a bit too much, besides I added a small figure 
>to clarify the ideas. The file is in PDF.
>  
>
It's easier to get at, and takes up less bandwidth, if you quote it in 
the e-mail.  I also saw something about Yahoo removing attachments from 
the archives.

>Comments would be most wellcome.
>  
>
It may work as well as any other branching classification.  I prefer to 
think of scales as having a number of orthogonal properties -- so the 
equivalence interval may be an octave, the scale may approximate some 
subset of just intonation, and so on.

You're counting the dimensions according to the number of odd primes in 
the JI being apporoximated, are you?  Like Lindley and Turner-Smith.


                                              Graham


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Message: 7358

Date: Thu, 21 Aug 2003 21:13:23

Subject: Re: Classificiation of musical scales

From: Graham Breed

Carlos wrote:

>I understand the orthogonality in the sense that, just thinking about just 
>intervals as generators, each inteval is an indepent dimension and then a 
>particular interval in the interval space is a projection in each axis. 
>
>Is this what you are meaning? 
>  
>
I mean "orthogonal" in the sense of the parameters being independent.  
So the Bohlen Pierce is a nonoctave just intonation scale.  But there's 
nothing about it being just intonation that tells you it isn't likely to 
have the octave as an equivalence.  However, your classification first 
puts it in a "nonoctave" category that means it has no connection with 
other just intonation scales.

>To be more precise, I guess one would have to define a scalar product type of 
>operation. I guess if you define the vectors in the usual sense 
>(first_JI_interval, second_JI_interval, ...) an so on and use the regular 
>product among vectors, but of course we are taking about vectorial space in 
>which the the components of the vector are number mod_N. I am not sure if 
>this arrays will have all the properties of a proper vector space. 
>
>Is this the case? Is there a writting about this somewhere?
>  
>
We have been talking about scalar products recently, although that's a 
different question.  What we would end up with is a lattice (in the 
algebraic sense of the word) but I don't know much about them.


>For example in the 1/4 comma tunning, you have tempered fith such that 4 
>firfhts equates a pure third. That would be one generator and one dimension. 
>Then you need another generator to complete you octave set. That would be 
>wolf fifth. 
>  
>
Ah, well, in group theory terms an octave equivalent meantone only has 
one generator -- the fifth.  The wolf is simply one of the intervals 
that gets generated (by 11 fifths).  So meantone would be one 
dimensional (or two dimensional if you include the octave as a generator).

>In this case we of all the product that you could generate in the interval 2d 
>space, for the actual scale you would take only points in the temperd fifht 
>axis and then only one point outside that axis that would be needed to 
>complete the cycle.
>
>Is this Ok with you?
>  
>
You don't need the point outside the axis.  Only the tempered fifth is a 
generator.


                        Graham


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Message: 7359

Date: Thu, 21 Aug 2003 20:21:14

Subject: Re: Classificiation of musical scales

From: Gene Ward Smith

--- In tuning-math@xxxxxxxxxxx.xxxx Carlos <garciasuarez@y...> wrote:
> Motivated by a recent dicussion in the group I have tried to 
provide a 
> comprehensive and clear classification of musical scales. 
> 
> I have collected the ideas in the attached short file. Writting all 
this in 
> the text of the email seemed a bit too much, besides I added a 
small figure 
> to clarify the ideas. The file is in PDF.

Yahoo has quit supporting file attachments; you might put this up in 
the files area so we all can see it.


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Message: 7360

Date: Thu, 21 Aug 2003 20:49:31

Subject: Re: Classificiation of musical scales

From: Paul Erlich

--- In tuning-math@xxxxxxxxxxx.xxxx Carlos <garciasuarez@y...> wrote:
> Motivated by a recent dicussion in the group I have tried to 
provide a 
> comprehensive and clear classification of musical scales. 
> 
> I have collected the ideas in the attached short file. Writting all 
this in 
> the text of the email seemed a bit too much, besides I added a 
small figure 
> to clarify the ideas. The file is in PDF.
> 
> Comments would be most wellcome.
> 
> Thanks
> 
> Carlos

it says attachment not stored. you need to put it in the files folder 
or somewhere like that.


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Message: 7362

Date: Fri, 22 Aug 2003 05:28:21

Subject: Re: Classificiation of musical scales

From: Gene Ward Smith

> Thanks for discussion.

You've still not put your pdf file up under files, so many of us are 
locked out of the discussion. This is not the way to do things.


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Message: 7366

Date: Sat, 30 Aug 2003 08:18:18

Subject: Linear recurrences for generators

From: Gene Ward Smith

If the characteristic polynomial of a linear recurrence has a single
root with the maximum absolute value, and if this root is positive, we
can use the corresponding linear recurrences much in the manner golden
meantone. If the coefficients of the polynomial are confined to
{-1,0,1} this is particularly nice.

I find there are exactly 800 polynomials between degree two and eight
which are irreducible and have the above property. I've uploaded a
file to the files section listing the maximal root and the polynomial,
with url

Yahoo groups: /tuning-math/files/Gene/polly * [with cont.] 

We find for example that using a fourth as generator, and requiring
our meantone forth to be between the 31 and 50 et fourth, gives us

x^8-x^6-x^3-x^2-x+1

We get a meantone fifth for the same range from

x^8-x^7-x^6+x^5-x^3-x^2+1

We can find a 2/secor between the 103 and 113 et values from

x^8-x^7-x^6-x^5-x^3+x^2-x+1


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Message: 7367

Date: Sat, 30 Aug 2003 23:21:11

Subject: Magic recurrence

From: Gene Ward Smith

Here's a recurrence example. If we take  x^7-x^4-x-1 as a
characteristic polynomial, we have 1.24564 as the large root, which
can be used as a generator for magic. Corresponding linear recurrences
are of the form

C[n] = C[n-3] + C[n-6] + C[n-7]

An example would be

3, 8, 9, 10, 15, 16, 22, 26, 33, 41, 51, 64, 79, 99, 123, 153, 191, 
167, 248, 289, 324, 467, 570, 639, 882, 1107, 1252, 1673, 2144, 2461...

If anyone can figure out an actual use for this stuff I would be
interested.


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Message: 7368

Date: Sun, 31 Aug 2003 10:28:17

Subject: Re: Magic recurrence

From: Graham Breed

I've found another meta-magic.  To get equal beating for 8:9:10,

9-8 = 10-9
10+8 = 2*9
5 + 4 = 3**2
4x + 4 = x**10

This has a solution of 1.24548... or 0.3167...octaves (380.04 cents).  
The sequence is

X[n] = 4(X[n-10] + X[n-9])

It converges, but very slowly.  Here are some chunks -- there may be gaps

256, 256, 256, 256, 256, 256, 256, 512, 1216, 1856,
2048, 2048, 2048, 2048, 2048, 2048, 3072, 6912, 12288, 15616
16384, 16384, 16384, 16384, 16384, 20480, 39936, 76800, 111616, 128000

I think both magic and meantone work for JI-like equivalence because 
each prime is a positive number of generators.  So the RHS terms are 
always positive.


                                    Graham


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Message: 7369

Date: Sun, 31 Aug 2003 03:59:33

Subject: Another recurrence table

From: Gene Ward Smith

Here is another table to go with the previous one:

Yahoo groups: /tuning-math/files/Gene/pil * [with cont.] 

I now only go up to degree four, but allow coefficients of absolute
value <= 2. The Wilson fifth appears; I note it is next to a
superpythagorean fifth with polynomial -1-2*x+x^2-x^3+x^4. Both have
associated linear recurrences; you are invited to examine the table
and see what else you find:

1.220744 -1-x+x^4
1.272020 -1-x^2+x^4
1.290649 -1-x+x^2-x^3+x^4
1.308571 -2+x-x^3+x^4
1.324718 -1-x+x^3
1.353210 -2+x-x^2+x^3
1.380278 -1-x^3+x^4
1.386471 1-2*x-x^2+x^4
1.395337 -1-2*x+x^4
1.431683 -1-x+2*x^2-2*x^3+x^4
1.446857 -2-x+x^2-x^3+x^4
1.465571 -1-x^2+x^3
1.484028 -2+x+x^2-2*x^3+x^4
1.490216 1-x-2*x^2+x^4
1.494530 -2-2*x+x^4
1.507982 -1-2*x+x^2-x^3+x^4
1.512876 -1+x-x^2-x^3+x^4
1.521380 -2-x+x^3
1.543689 -2+2*x-2*x^2+x^3
1.553774 -1-2*x^2+x^4
1.558980 1-2*x-x^3+x^4
1.566383 -2-x-x^2+x^4
1.569175 2-2*x-2*x^2+x^4
1.618034 -1-x+x^2
1.652892 -2-2*x^2+x^4
1.669798 -2+x-x^2-x^3+x^4
1.683772 1-2*x-2*x^2+x^4
1.690284 -1+2*x-2*x^2-x^3+x^4
1.695621 -2-x^2+x^3
1.710644 -1-x-2*x^2+x^4
1.712985 -1-2*x+2*x^2-2*x^3+x^4
1.716673 -2+2*x-2*x^3+x^4
1.722084 1-x-x^2-x^3+x^4
1.725340 -2-x-x^3+x^4
1.754878 -1+x-2*x^2+x^3
1.769292 -2-2*x+x^3
1.785371 -2-x-2*x^2+x^4
1.790044 -2+x^2-2*x^3+x^4
1.794310 -1-2*x-x^3+x^4
1.801938 1-2*x-x^2+x^3
1.821049 2-2*x-x^2-x^3+x^4
1.824620 -2+2*x-2*x^2-x^3+x^4
1.830415 -2-2*x+2*x^2-2*x^3+x^4
1.839287 -1-x-x^2+x^3
1.853560 -2-x^2-x^3+x^4
1.866760 -1+x-2*x^3+x^4
1.873709 -2-2*x-x^3+x^4
1.883204 1-2*x+x^2-2*x^3+x^4
1.897179 -1-x+x^2-2*x^3+x^4
1.899321 -2-2*x-2*x^2+x^4
1.905166 1-2*x^2-x^3+x^4
1.914390 -1+x-2*x^2-x^3+x^4
1.921290 1-2*x-x^2-x^3+x^4
1.927562 -1-x-x^2-x^3+x^4
2.065995 -1-2*x-x^2-x^3+x^4
2.075483 -1-2*x^2-x^3+x^4
2.081019 1-x-2*x^2-x^3+x^4
2.089219 -1-2*x+x^2-2*x^3+x^4
2.106919 -1-2*x^3+x^4
2.117689 1-x-2*x^3+x^4
2.123408 -2-2*x-x^2-x^3+x^4
2.132242 -1+2*x-x^2-2*x^3+x^4
2.139219 -2-2*x^2-x^3+x^4
2.147899 -1-2*x-x^2+x^3
2.157509 2-2*x-2*x^2-x^3+x^4
2.162858 -2-2*x+x^2-2*x^3+x^4
2.190328 -2-2*x^3+x^4
2.205569 -1-2*x^2+x^3
2.217157 1-2*x-2*x^2-x^3+x^4
2.222694 2-2*x-2*x^3+x^4
2.226862 -2+2*x-x^2-2*x^3+x^4
2.246980 1-x-2*x^2+x^3
2.256663 -2-x-2*x^2-x^3+x^4
2.269531 -2-2*x-x^2+x^3
2.277452 -1-x-2*x^3+x^4
2.296630 1-2*x-2*x^3+x^4
2.316512 -1-2*x-2*x^2-x^3+x^4
2.332190 2+2*x-2*x^2-2*x^3+x^4
2.339057 -2-x-2*x^3+x^4
2.348594 1-x^2-2*x^3+x^4
2.359304 -2-2*x^2+x^3
2.389870 -2+x-x^2-2*x^3+x^4
2.414214 -1-2*x+x^2
2.440110 2-x-x^2-2*x^3+x^4
2.463379 -2-2*x-2*x^3+x^4
2.470979 -1-x^2-2*x^3+x^4
2.481194 2-2*x-2*x^2+x^3
2.496698 1-x-x^2-2*x^3+x^4
2.538616 -1+2*x-2*x^2-2*x^3+x^4
2.546818 -1-x-2*x^2+x^3
2.568115 1+x-2*x^2-2*x^3+x^4
2.573272 2-2*x-x^2-2*x^3+x^4
2.589308 -2+2*x-2*x^2-2*x^3+x^4
2.592053 -1-x-x^2-2*x^3+x^4
2.633439 -2-x-x^2-2*x^3+x^4
2.647632 2-2*x^2-2*x^3+x^4
2.658967 -2-x-2*x^2+x^3
2.662978 -1+x-2*x^2-2*x^3+x^4
2.691740 1-2*x^2-2*x^3+x^4
2.696797 -1-2*x-x^2-2*x^3+x^4
2.704028 -2+x-2*x^2-2*x^3+x^4
2.732051 -2-2*x+x^2
2.760627 2-x-2*x^2-2*x^3+x^4
2.797136 1-x-2*x^2-2*x^3+x^4
2.803989 -2-2*x^2-2*x^3+x^4
2.831177 -1-2*x-2*x^2+x^3
2.858732 2-2*x-2*x^2-2*x^3+x^4
2.863131 -1-x-2*x^2-2*x^3+x^4
2.890054 1-2*x-2*x^2-2*x^3+x^4
2.919640 -2-2*x-2*x^2+x^3
2.947712 -1-2*x-2*x^2-2*x^3+x^4
2.974449 -2-2*x-2*x^2-2*x^3+x^4


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Message: 7370

Date: Sun, 31 Aug 2003 22:57:15

Subject: x^4 - x^2 - 1

From: Gene Ward Smith

The subject line is a polynomial whose big root is a sharp 11/8, and a
PV number. It works for the 11-limit linear temperament whose wedgie is

[12, 5, -9, 1, -20, -48, -40, -35, -15, 34]

and whose "icon", or prime mapping, is given by

[[1, -4, 0, 7, 3], [0, 12, 5, -9, 1]]

and whose TM reduced basis is <126/125, 176/175, 1344/1331>

I assume the point is to use recurrence values to construct a scale,
which opens the question of what an intelligent way would be for doing
that.


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Message: 7371

Date: Sun, 31 Aug 2003 09:57:51

Subject: Re: Magic recurrence

From: Graham Breed

Gene Ward Smith wrote:

>If anyone can figure out an actual use for this stuff I would be
>interested.
>  
>
The original motivation was for difference tones to match, but the 
patterns would be so complex for what you're looking at I don't think 
that's relevant.  Another approach would be to keep to three non-zero 
coefficients (two on the RHS) that are +/- powers of two.  That means 
first order difference tones between octave equivalents will match.

One case would be quartics with RHS coefficients from {-8, -4, -2, -1, 
1, 2, 4, 8}.  If they're of the form

X[n] = A*X[n-alpha] + B*X[n-beta]

where 0 < alpha < beta <= 4, the choices of alpha and beta are 4C2 or 
6.  For each of A and B thre are 8 choices.  So the total number of 
series will be 6*8**2 = 384.  So it would be possible to check all of 
them, but I haven't.  Some won't work.

Expand it to quintics, and allow +/-16, there'll be 1000 different options.


I've come up with a meta-slendric.  It keeps the equivalences from JI

4 + 3 = 7
8-7 = 7-6
7-6 = 4-3
8-7 = 4-3

The equation is x**4 = 4-2x, and the root is 1.4390... or 0.1936... octaves.

The trouble is, the sequence X[n] = 4X[n-4] - 2X[n-3] doesn'tmake much 
sense, and I don't think it converges.  I don't really know what to do 
about this.  The problem is the -2, so it goes up and down.  If, above, 
you made A and B positive it'd make more sense, and that seems to be 
what you're doing with your examples.  But it would also lose some 
useful scales like this one.

You could re-write it x**4 = 2x+4, and take a negative root, but I don't 
think that'd solve the problem.


                                     Graham


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Message: 7372

Date: Sun, 31 Aug 2003 22:14:54

Subject: Graham-style recurrence polynomials, degree four

From: Gene Ward Smith

Here they are for degree four. I took out everything where the large
root was a power of two, but I might have well have removed all the
ones where it was an integer, since they look pretty useless.

1.220744 x^4-x-1
1.324718 x^4-x^2-x
1.353210 x^4-x-2
1.380278 x^4-x^3-1
1.395337 x^4-2*x-1
1.465571 x^4-x^3-x
1.494530 x^4-2*x-2
1.521380 x^4-x^2-2*x
1.533751 x^4-x-4
1.543689 x^4-x^3-2
1.618034 x^4-2*x^2-x
1.618034 x^4-x^3-x^2
1.642935 x^4-2*x-4
1.663252 x^4-4*x-1
1.695621 x^4-x^3-2*x
1.727754 x^4-4*x-2
1.748403 x^4-x^3-4
1.767868 x^4-x-8
1.769292 x^4-2*x^2-2*x
1.796322 x^4-x^2-4*x
1.835087 x^4-4*x-4
1.849421 x^4-2*x-8
2.040042 x^4-8*x-1
2.077216 x^4-8*x-2
2.106919 x^4-2*x^3-1
2.114908 x^4-4*x^2-x
2.144700 x^4-8*x-4
2.166313 x^4-x^2-8*x
2.190328 x^4-2*x^3-2
2.205569 x^4-2*x^3-x
2.214320 x^4-4*x^2-2*x
2.259801 x^4-8*x-8
2.320233 x^4-2*x^3-4
2.330746 x^4-2*x^2-8*x
2.359304 x^4-2*x^3-2*x
2.382976 x^4-4*x^2-4*x
2.394859 x^4-x^3-8*x
2.414214 x^4-2*x^3-x^2
2.507450 x^4-2*x^3-8
2.561553 x^4-x^3-4*x^2
2.594313 x^4-2*x^3-4*x
2.649436 x^4-4*x^2-8*x
2.732051 x^4-2*x^3-2*x^2
2.888969 x^4-8*x^2-x
2.931142 x^4-2*x^3-8*x
2.945995 x^4-8*x^2-2*x
3.000000 x^4-3*x^3
3.051374 x^4-8*x^2-4*x
3.236068 x^4-2x^3-4*x^2
3.236068 x^4-8*x^2-8*x
3.372281 x^4-x^3-8*x^2
3.414214 x^4-4*x^3+2*x^2
3.709275 x^4-4*x^3+4*x
3.732051 x^4-4*x^3+x^2
3.861009 x^4-4*x^3+8
3.866198 x^4-4*x^3+2*x
3.934317 x^4-4*x^3+4
3.935432 x^4-4*x^3+x
3.967988 x^4-4*x^3+2
3.984188 x^4-4*x^3+1
4.015445 x^4-4*x^3-1
4.030545 x^4-4*x^3-2
4.059780 x^4-4*x^3-4
4.060647 x^4-4*x^3-x
4.114825 x^4-4*x^3-8
4.117942 x^4-4*x^3-2*x
4.224170 x^4-4*x^3-4*x
4.236068 x^4-4*x^3-x^2
4.411139 x^4-4*x^3-8*x
4.449490 x^4-4*x^3-2*x^2
4.828427 x^4-4*x^3-4*x^2
5.000000 x^4-5*x^3
5.464102 x^4-4*x^3-8*x^2
6.000000 x^4-6*x^3
6.828427 x^4-8*x^3+8*x^2
7.000000 x^4-7*x^3
7.464102 x^4-8*x^3+4*x^2
7.741657 x^4-8*x^3+2*x^2
7.870865 x^4-8*x^3+8*x
7.872983 x^4-8*x^3+x^2
7.936496 x^4-8*x^3+4*x
7.968502 x^4-8*x^3+2*x
7.984283 x^4-8*x^3+8
7.984314 x^4-8*x^3+x
7.992164 x^4-8*x^3+4
7.996088 x^4-8*x^3+2
7.998045 x^4-8*x^3+1
8.001952 x^4-8*x^3-1
8.003901 x^4-8*x^3-2
8.007790 x^4-8*x^3-4
8.015534 x^4-8*x^3-8
8.015564 x^4-8*x^3-x
8.031009 x^4-8*x^3-2*x
8.061549 x^4-8*x^3-4*x
8.121294 x^4-8*x^3-8*x
8.123106 x^4-8*x^3-x^2
8.242641 x^4-8*x^3-2*x^2
8.472136 x^4-8*x^3-4*x^2
8.898979 x^4-8*x^3-8*x^2
9.000000 x^4-9*x^3
10.000000 x^4-10*x^3
12.000000 x^4-12*x^3


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Message: 7373

Date: Sun, 31 Aug 2003 09:28:44

Subject: Re: Magic recurrence

From: Gene Ward Smith

--- In tuning-math@xxxxxxxxxxx.xxxx Graham Breed <graham@m...> wrote:

> The original motivation was for difference tones to match, but the 
> patterns would be so complex for what you're looking at I don't think 
> that's relevant.  Another approach would be to keep to three non-zero 
> coefficients (two on the RHS) that are +/- powers of two.  That means 
> first order difference tones between octave equivalents will match.

Why do we want the difference tones to match?

> I've come up with a meta-slendric.  

I've got a nice recurrence for tritonic, the 7-limit temperament with
[5, -11, -12, -29, -33, 3] as a wedgie. What's nice about it is that
the big root is a PV number, meaning all of its conjugates are less
than one in absolute value, so that the ratio converges quickly. The
polynomial is x^4-2*x^3-2*x^2-x+1, so the recurrence goes

c[n] = 2 c[n-1] + 2 c[n-2] + c[n-3] - c[n-4]

It doesn't have your RHS property, but I could search for that.


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Message: 7374

Date: Sun, 31 Aug 2003 09:43:11

Subject: Re: Magic recurrence

From: Gene Ward Smith

--- In tuning-math@xxxxxxxxxxx.xxxx "Gene Ward Smith" <gwsmith@s...>
wrote:

> Why do we want the difference tones to match?

I think I just figured this out. Cool!


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